INVISIBLE
SCULPTURE BOOK MADE OUT OF PAPER CUTOUTS — 2018
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture book made out of paper cutouts (2018)
Cécile Babiole "Invisible" sculpture boo made out of paper cutouts (2018)
Invisible is sculpture book made out of paper cutouts.
Each page holds the outline of a thin slice (the depth of a leaf) of a real-size clitoris cut out of graph paper. When the book is closed, the superimposed cutouts of the 290 sheets build the exact volume of the organ at a 1: 1 scale.
Thus this graphic work created by the artist Cécile Babiole shelters within its pages, invisible but nevertheless present in all its amplitude, the mold of a clitoris, that organ of female pleasure long ignored by anatomy books and whose complete topography has recently been rediscovered thanks to researchers’ Helen O’Connell and Odile Fillod 3D models.
A printed version of the piece is also published.